by Lee Hartman
Tue, Oct 20, 2009
Collaborating organizations Civic Opera Theater of Kansas City, Kansas City Chamber Orchestra, and Owen/Cox Dance Group made the fairy realm come to life in their impressive staging of Purcell's Fairy Queen. Primarily known for their contemporary repertoire, it was exciting to see the Civic Opera and Owen/Cox reach back into the catalogue to pursue this Baroque masterpiece. They handled the task admirably with accompaniment provided by the KC Chamber Orchestra under Bruce Sorrell's baton.
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by Diane Thompson
Tue, Oct 20, 2009
"Are you scared?" Those were not the last words, or screams, uttered by a hand-wringing teenage audience member at Coterie at Night's world premiere of "Maul of the Dead," a spoofy tale of apocalypse and hilarity with blood spatter a-plenty.
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by Christopher Guerin
Tue, Oct 20, 2009
"Spring Awakening's" music - executed masterfully by the cast - is haunting and mesmerizing, drawing the viewer inexorably into the emotional turmoil. The more nuanced pieces evoke a Sondheim-esque aura, while other aspects reminded me, stylistically, of the great Neil Finn of Split Enz and Crowded House.
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by Christopher Guerin
Mon, Oct 19, 2009
As I listened to the Palestrina performed by Musica Sacra - with my eyes closed - I could just as easily have been sitting in a church in the 16th century as in a modern one in the 21st century.
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by Steve Shapiro
Mon, Oct 19, 2009
The echoes of a life that reverberates around the world haunts David Cale's monologue "Palomino." In this world première, which opened Friday night on the Kansas City Repertory Theatre's Copaken Stage, Cale, acting, writing and self-directing, provides a funny, at times sentimental, at times almost cinematic, ultimately indelible performance as several characters, both male and female, who find themselves connected by six degrees of separation and desires.
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