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A cactus, prickly and uninviting, will often produce a spectacular bloom. So the metaphor goes in this superb romantic farce about a prickly nurse who blossoms under unusual and comical circumstances. Cactus Flower was produced by the New Theatre, directed by Dennis D. Hennessy, and stars Loretta Swit, of M.A.S.H. fame.

The story revolves around a philandering dentist, played by Kip Niven, who avoids marriage with his girlfriend Toni by pretending he is already married. In order to keep up the charade, he convinces his loyal but frosty nurse, Swit, to play his wife. The plot, although predictable in the long run, had unexpected twists and turns that ultimately led to a satisfying ending. The characters behaved realistically, yet never fell into cliché. In a phrase, the show was breath of fresh air.

Loretta Swit, playing Stephanie Dickinson, was an engaging and sympathetic stage presence. Her comic timing was impeccable. What I appreciated most was the portrayal of a strong woman who had vulnerabilities. It was easy to see why Ms. Swit has enjoyed such a long, rewarding career as a performer.

Kip Niven, as the philandering dentist, alternately pleaded and barked his way through the show. A Kansas City native, Niven is a good match for Swit and entirely believable as a dentist. I did not entirely like his character because his one constant quality was dishonesty, but I always hoped that he would get the girl in the end.

Natalie Hiatt, as well-meaning girlfriend and fake home wrecker Toni, started the show out with a bang. She had the audience laughing within the first two minutes with her matter-of-fact delivery and high-pitched girly voice. In a role that could easily have become unsympathetic, Hiatt earned audience sympathy. I thoroughly enjoyed her small, often unconscious, victories throughout the show.

The supporting cast includes Tristan Colton, T. Max Graham, Dodie Brown, Jim Korinke, Patrick DuLaney and Cassie Hollmann. If the time and space allowed, I would comment on each performance. It will suffice to say each played their parts well, and created an atmosphere where the story could be told.

Scott Heineman's scenic design was fantastic. I loved the rotating stage, and each setting gave a very clear idea of where while also giving insight into the characters. There was such a contrast between the impersonal, sterile dentist office and Toni's bright, cheerful apartment. Huge congratulations go to the running crew for silently changing one set while another scene was going on.

Randy B. Winder's lighting and props were, as always, suited to the show. He does a lovely job of creating lighting and props that suit the story without drawing unnecessary attention. Mary Traylor's 60's era costume design gave the audience fun visuals without being distracting. I really enjoyed Toni's fun outfits (gold heels!) and Swit's beautiful red dress.

The only technical element that drew me away from the story was the sound design. I was confused as to why modern songs were playing on the radio in the 1960s. Having said that, the song lyrics did fit the situation, so I understand why they were chosen.

This was my favorite show of the New Theatre season so far. The script was well written. All the elements came together splendidly, and the cast worked so well together. And I laughed. A lot. Thanks to New Theatre for a lovely evening!

REVIEW
New Theatre Restaurant
Cactus Flower
Running February 10 through April 11 (Reviewed February 18, 2010)
9229 Foster St., Overland Park, KS
For tickets call 913-649-SHOW or online at www.newtheatre.com